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加勒比海盗的高清电影

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加勒比海盗1 1280分辨率

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加勒比海盗3 1280分辨率

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可以用电脑去电影天堂下载高清版本...或者手机暴风影音也可以看得!

加勒比海盗看不懂

第一部就是为前两部打了个基础,把里面的主角都做了一下详细的介绍,真正的故事从第二部才开始,讲一个古老的传说,一个叫戴维琼斯的和一个海神, [当然是女人了] 是一对情侣,但是后来他们各自背叛了对方,戴维琼斯把封印海神的方法 告诉了所有的海盗王们,就这样 海神被封印,戴维琼斯处在一个极度悲痛和绝望的阶段,于是他割下自己的心脏,将它放入亡灵宝箱,并且发誓十年才能上岸一次。

其实剧情很简单,我上面提到的亡灵宝箱正是故事的中心,加勒比海盗就是围绕亡灵宝箱,还有主角们之间发生的感情纠葛讲得这么一个故事。

谁可以刺死戴维琼斯的心脏,谁就可以做荷兰号的船长 [ 也就是戴维琼斯那艘无敌的潜艇] 得到永生。杰克当然是很愿意做这个事情,没有什么比海洋和宝藏更能让他开心的了。就在第三部快结束的时候,当杰克看见特纳快要死的时候,还是让特纳刺死了 戴维琼斯的心脏,这说明杰克是一位善良的海盗船长,他不愿意看着昔日出生入死的战友就这么死去,更不愿意看着曾与自己有些暧昧的伊丽莎白守寡。

楼主应该听明白些了吧 这电影本来就是根据 迪斯尼的主题动画改编,没有什么具体的寓意,娱乐一下就ok了

加勒比海盗经典台词(翻译一下)

1、太好了,如果我见到老百姓,我一定阻止他。

Great! If I see the common people,I will stop him。

2、你一定没有去过新加坡。

You must not have been to Singapore。

3、至少你听说过我。

At least you've heard of me。

4、你的确阻止了我,可是你现在没有武器了。

You did stop me,but you have no weapons now。

5、乖狗狗,现在只剩下我们了,快来,死狗,癞皮狗,快啊,别走,我不是故意骂你的。

Dear dog,we are the only one left now。 Come on,dead dog,mang skin dog。 Come on,don't go。 I didn't mean to scold you。

6、某些情况下天才和傻瓜没有区别。

In some cases,genius is no different from fool。

7、用我的体毛,我背后的体毛很长。

With my body hair,the hair on my back is very long。

8、噢!那女孩的血没用。

oh! The girl's blood is useless。

9、他是我姑妈的外甥的表弟,他嗓音不错。

He is my aunt's nephew's cousin。 He has a good voice。

10、欢迎来到加勒比。

Welcome to the Caribbean。

11、噢,结婚,我喜欢结婚。

Oh,get married。 I like getting married。

扩展资料

《加勒比海盗》讲述了杰克·斯帕罗是个加勒比沿海小镇子上不务正业的小痞子,别看他眼下是混得这么惨,但是当初,他也曾经是一位驾着自己的爱船,率领着众多喽罗纵横海上劫富济贫的侠盗。

可惜一个不小心,着了坏蛋船长巴博萨的道儿,被他抢走了心爱的海盗船“黑珍珠号”不说,也让从小立志成为一名出色海盗的杰克倍受打击,心灰意冷的他干脆落拓到这个不起眼的小镇子上混起了日子。

1. (This dock is off limits to civilians.这个码头不对市民开放。)

JACK: I’m terribly sorry. I didn’t know. If I see one I shall inform you immediately.

我实在很抱歉。我并不知道。如果我见到一个市民我会马上通告你们的。

2. Clearly you’ve never been to Singapore.

你肯定没去过新加坡。(你没见过世面。)

3. (You’re without doubt the worst pirate I’ve ever heard of.你毫无疑问是我听说过的最差劲的海盗。)

Jack: But you have heard of me.

但你听说过我。

4. (That is a wonderful trick.那是个很好的把戏。)

Expect, once again, you’re between me and my way out.

只是你再一次挡住我逃跑。

And now you have no weapon.

而且你现在没有武器了。

5. Come on doggy. It’s just you and me now.

过来乖狗狗。现在只有我们两个了。

It’s you and old Jack. Come on. Come on. That’s a boy.

是你和老杰克。过来。过来。这才是乖孩子。

Good boy. Come and get the bone. That’s a good boy. Come on.

乖孩子。过来拿骨头。这才是乖孩子。过来。

A bit closer, a bit closer. That’s it, that’s it,doggy.

再近一点,再近一点。就是这样,就是这样,乖狗狗。

Come on, you filthy, slimy mangy cur.

过来,你这个肮脏的,黏糊糊的,生满疥癣的杂种狗。

Don’t do that! No! No! I didn’t mean it! I didn’t.

不要这样!不!不要!我并不是那个意思!我不是!

6. Will: This is either madness or brilliance.

这(个做法)不是疯狂就是才智。

Jack: It’s remarkable how often those two traits coincide.

这两个的特点经常惊人的相符。

7. Human hair from my back.

我身后的体毛。

8. The girl’s blood didn’t work.

那女孩的血没用。

9. A distant cousin from my aunt’s nephew twice removed. Lovely singing voice, though, eunuch.

他是我姑妈的外甥的远房表弟。声音不错,不过是个太监。

10. Welcome to Caribbean!

欢迎来到加勒比!

11. A wedding! Oh, I love weddings!

一个婚礼!噢,我喜欢婚礼!

12. (Jack: Palulay…Palu…li…la…la…lulu…Parlili…Parsnip…Parsley…Partner…Partner…)

(Parley?)

That’s the one! Parley!

就是这个!谈判!

13. (Barbossa: So what now, Jack Sparrow? Are we to be two immortals lock into an epic battle until judgment day and trumpets sound?

那么现在怎样?杰克.斯派洛?我们两个不死的怪物就这么漫长地打下去直到世界末日才分出胜负?)

Jack: Or you could surrender.

或者你可以投降。

14. Drink up! My hearties!

干杯!我的水手们!

15. This is a day you will always remember as the day that you almost caught Captain Jack Sparrow!

你们永远会记住这一天,因为你们差一点就抓到了杰克.斯派洛船长。

16. I’m Captain Jack Sparrow.

我是杰克.斯派洛船长。

17. Not so bad.

(不太差。)味道还可以。(没想像中的坏。)

18. You may throw my hat if you like.

如果你想扔的话可以用我的帽子。

Now go and get it.

现在去把它拣回来。

19. How’s mum?

妈妈还好吗?

She looks great.

她气色不错。

20. We must fight…to run away.我们要战斗!为了逃跑~

=^_^=

1.I'm terribly sorry. I didn't know..If I see one, I shall inform you immediately.

2.Clearly you've never been to Singapore.

3.But you have heard of me.

4.Except, once again, you are between me and my way out.And now you have no weapon.

5.Come on, doggy.It's just you and me now.It's you and old Jack. Come on.Come on. That's a boy.Good boy. Come get the bone.A bit closer. A bit closer.That's it. That's it, doggy.Come on, you filthy, slimy, mangy cur.No, no! I didn't mean it!

6.William:This is either madness or brilliance.

Jack:It's remarkable how often those two traits coincide.

7.Human hair.From my back.

8.It didn't work.

9.No one. He's no one.A distant cousin of my aunt's nephew twice removed.Lovely singing voice, though. Eunuch.

10.welcome to Caribbean

11.A wedding! I love weddings!

12.Parsnip, parsley, partner, partner……That's the one! Parley!

13.Or you could surrender

14.Drink up, me hearties, yo ho!

15.you will always remember this as the day that you almost caught Captain Jack Sparrow.

16.这不用了吧。。。

17.Hello, beastie.(你这翻译有问题)

18.You may throw my hat if you like.……Now go and get it.

19.How's Mum?

She looks great.

20.We must fight...to run away.

给分吧。。哈哈

能不能介绍一下《加勒比海盗》系列?

故事发生在传说中海盗最活跃的加勒比海(Caribbean Sea)。这片神秘的海域位于北美洲东南部,那里碧海蓝天,阳光明媚,海面水晶般清澈。17世纪的时候,这里更是欧洲大陆的商旅舰队到达美洲的必经之地,所以,当时的海盗活动非常猖獗,不仅攻击过往商人,甚至包括英国皇家舰队。

英俊迷人的杰克·斯伯洛((强尼·戴普 饰)),是活跃在加勒比海上的年青海盗,拥有属于自己的"黑珍珠号"海盗船。对他来说,最惬意的生活就是驾驶着"黑珍珠"在加勒比海上游荡,自由自在的打劫过往船只。但不幸的是,这悠闲洒脱的日子到底还是结束了--他遭到了海盗头目巴伯萨的欺骗,连自己珍爱的"黑珍珠号"海盗船也被巴伯萨偷走。

统领着一群海盗的巴伯萨(杰弗里·拉什 饰)是一个无恶不作的坏蛋,他不但打劫财物,还把船上的所有人都斩尽杀绝,不留活口。过往船只经过加勒比海时都胆战心惊,最怕遇上巴伯萨一伙。抢劫了杰克的"黑珍珠号"海盗船后,巴伯萨更加猖狂,在加勒比海上横行霸道,一时成为整个加勒比海的霸主。

随着自己的势力日渐强大,巴伯萨妄想长生不死的贪婪野心也在不断膨胀。他企图解开传说中魔咒金币的秘密使自己获得永生,却想不到反而遭到了邪恶的诅咒--每当月圆之夜,巴伯萨和其他"黑珍珠号"上的船员都会变成骷髅,而且终身禁欲髅,不能享受性和美食,甚至不能正常的走路。

变成了不死骷髅的巴伯萨,率领着"黑珍珠"号在加勒比海上更加肆无忌弹。一次,他们把船开进了皇家港并袭击了小镇,还绑架了总督的女儿伊莉莎白·斯万(姬拉·丽莉 饰)——因为这个女孩的脖子上佩带着一枚神秘金币。和伊莉莎白青梅竹马的铁匠学徒威尔·特纳(奥兰多·布鲁姆 饰),眼看自己心爱的女孩被海盗抓走,悲愤不已。恰巧的是,曾经身为"黑珍珠号"海盗船船长的杰克·斯伯洛,也由于自己的海盗身份被关进了这个海边小城的监狱。

铁匠威尔想方设法救出了狱中的杰克,接着,两人偷来英国皇家舰队最快的"拦截号"军舰。威尔为了救回深爱的女孩伊莉莎白,杰克为了夺回原本属于自己的"黑珍珠号",驾驶着"拦截号"军舰迅速向"黑珍珠"追去。

海盗们以为佩带着神秘金币的伊莉莎白可以帮助他们解开身上的神秘咒语,并想用她的鲜血来施用巫术。就在千钧一发之际,铁匠威尔和海盗杰克驾驶着军舰赶了上来,在他们身后,还有因被偷走军舰而穷追不舍的皇家军官诺灵顿。于是,海盗们扯起"骷髅旗",杰克拔出手枪和剑,威尔挥起一把大刀,诺灵顿指挥手下端起长枪,一场壮烈的人鬼大战就此拉开……

The extensive location shooting in the Bahamas for Disney's PIRATES OF THE CARIBBEAN sequels, starring Johnny Depp as Captain Jack Sparrow, is ending at last, reports Michael Singer, press liaison officer for the production. "We are finishing mid-week, and this completes our location photography in the Caribbean region," Mr. Singer told THE BAHAMA JOURNAL on Monday, February 27th. PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, the second part of the saga, completed photography earlier in February, and is due in theaters on July 7th. Although the Caribbean phase of PIRATES 3 is concluding, Mr. Singer said production continues on the third film; it is not yet complete. "We will be doing more filming on PIRATES OF THE CARIBBEAN 3 beginning again in late summer," Singer confirmed. "That will be mostly local production in the Los Angeles area."

"Swashbuckling, sea monsters and box office gold . . . Jack's back to steal summer in PIRATES 2: DEAD MAN'S CHEST," blares the cover of the April issue of UK's TOTAL FILM. (To see a larger version of the cover, click HERE.) The magazine features a four-page article on DEAD MAN'S CHEST, including some publicity shots; a charming description of Johnny Depp's appearance at the Disney corporate meeting, where he stole the show; and comments from Jerry Bruckheimer, Gore Verbinski, Keira Knightley and Johnny himself. Johnny's remarks about the creation of Captain Jack will be very familiar to Deppheads, but the quotes from Jerry and Gore seem fresh. Gore tells TOTAL FILM, "I think Jack is the character Johnny Depp was born to play. He's just a great meal that you want more of."

It took nearly a year to get the first PIRATES OF THE CARIBBEAN sequel in the can, but writer Ted Elliott reports (via his Wordplayer site) that, at long last, DEAD MAN'S CHEST completed filming on February 7th at about 5:45 a.m., otherwise known as the crack of dawn. Ted adds that DMC filming concluded with two solid weeks of sunset-to-sunrise night shooting. That must have been brutally difficult for the cast and crew, so we salute them for having the courage and fortitude to follow orders and stay true in the face of danger and almost certain exhaustion . . . .

PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST is due in theaters July 7th. We wish Gore Verbinski and his talented crew smooth sailing through the seas of post-production. Thanks to Gilbert's Girl and gilly for posting the happy news!

The Johnny Depp Zone celebrates its one-millionth visitor this week by adding a new PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST gallery--it it the last entry in our BY FILM section. We have tried our best to avoid any pictures that might contain major spoilers; if you have already seen the trailer, you will recognize all the images here. Most of the pictures are close-ups of Captain Jack's incomparably expressive face. The photographs are screencaps made by sjc; we thank her very much for sharing her work! Thanks also to emma for sharing the POTC:DMC posters, and to theresa for her help in preparing the gallery.

he quirky ingenuity of Johnny Depp is on display in the new movie Pirates of the Caribbean: The Curse of the Black Pearl. It's not exactly as outrageous as his performances in the likes of Ed Wood and Fear in Loathing in Las Vegas, but he's still got his own distinctive touches on this pirate portrayal. The studio was concerned about him masquerading in ugly long locks, gold teeth and a goatee, but Depp refused to do the movie unless he got to dress his own way. Depp is one of the few Hollywood movie stars that upholds principles of creativity, the art of performance. As in any movie he does, he tries things with Jack Sparrow that haven't been done before in a pirate picture.

UGO: Are your gold teeth still in?

Johnny Depp: They're still there, yeah. I never had a chance to take them out.

UGO: What are they?

JD:They're gold and platinum.

UGO: Caps?

JD: It was a cap. It was molded to my teeth to fit over my teeth, and then they bonded them onto my teeth.

UGO: Why is it so important to bring an element of eccentricity to your characters?

JD:I'm a sucker to my own brain. It reaches a point where you can't help yourself. Regardless of what other people are saying around you or even whispering around you, that maybe they're not so content or happy with the work or with the character, because maybe they feel it's a little bit too much, I couldn't help myself. I had a very strong feeling about the guy, about the character, and I couldn't control it. It had to come out.

UGO: Didn't you receive any resistance about your characterization from the producers?

JD:Well, yeah. Early on, for quite a while.

UGO: How did you fight back?

JD: Basically - I remember I had two more gold teeth, and there were a few that wanted them gone卛n fact, wanted them all gone. And they wanted the braids in my beard gone, and they wanted a lot of the trinkets and things gone. I just basically said, 'I respect you guys. I'll compromise to some degree, which means I'll take two teeth out. Cool. But anything beyond that, I feel, is compromising the integrity of the character, and I'm not willing to do that. You've got to trust me. You've got to let me do what you hired me to do, and if you're not happy with doing that, then you've got to replace me.'

UGO: How did you develop your special idiosyncratic walk?

JD: The way I walked, well, it was a couple of things. To me, it was like this guy who had spent a very, very long time on the ocean battling the elements. It was a guy who had spent way too much time in the sun, so maybe his brain was literally cooked a bit. And he was way more comfortable on the deck of a ship, in terms of the rhythm of the ocean, than he was on dry land. And I think he would also be a guy who would understand that, like, he could take that and use it to his advantage, you know. As if to hypnotize someone. He'd kind of go back and forth and hypnotize them, kind of like a cobra, a moving target. So, that's where it came from. I thought he would hate being on land.

UGO: How did you approach comedy?

JD: I tend to find an opportunity to throw in humor on any level, even when it doesn't apply. I mean, I've done it in scenes in Blow and other things where it probably shouldn't have been there, but it just seemed to work at the time. So I'm always trying to throw as much humor into a part as I can. This guy, I knew this guy so well, I felt so comfortable playing him that way, I couldn't help myself.

UGO: How has your relationship with Hollywood changed?

JD: For five years, I've been living in France and in the States to some degree a little bit, because I'm not a resident of France. But it has done wonders for my relationship with Hollywood. And also having kids, just in terms of not really- - I'm so removed from it that I don't know anything. I mean, I don't know who anybody is. I don't know who's famous. I don't know who's not famous. I don't know who's rich, who's poor, who's successful, who's a drag. I don't know anybody. I don't know what made money and what didn't make money. And it's great.

UGO: Wouldn't you consider yourself as someone with atypical celebrity status?

JD: Atypical celebrity status? [Laughs] Sounds like a really weird disease.

UGO: Popular, highly revered, lots of fans, but you're an outsider that brings a singular, distinctive type of performance to your work.

JD: I hope so. Well, thank you.

UGO: Is this how you envisioned your career?

JD: I knew that, for instance, once I was able to get off of the television series [21 Jump Street], which was for me on one hand like a great blessing in terms of, I could have this great education for me, being in front of the camera five days a week, seven to nine months out of the year卛t was a really good education. But it was also sort of assembly line, in my opinion garbage, and wasn't remotely satisfying in any creative way at all. In fact, it was more frustrating, so I felt like I'd been dealt some really harsh prison sentence. I know that sounds extreme, but it just felt bound.

UGO: So what took place after you got off the television series?

JD: So once I got off and started doing movies, regardless of what's going to happen, I was doing the things that I wanted to do. I feel really lucky that I've been able to do those movies and play those characters. So, I'm really proud of all the films, all the experiences. Performance, that's another thing. That's none of my business. It's not for me to judge.

UGO: When stuff comes on TV, what's the hardest to look at?

JD: All of it, but two things happened in the last two years. I was in France last year, and Ed Wood came on television. It was dubbed in French, and it was so surreal. So, I watched like 10 minutes of it dubbed in French. Another time, What's Eating Gilbert Grape came on, which is a film I've never seen. And it was the opening credits and then the opening scene, and it got me to the point, I was trying to watch a little bit of it and I started to hyperventilate. I just shut the T.V. off and walked away.

UGO: Why have you never watched Gilbert Grape?

JD: Well, as it is with most of my movies, the films that I've done, and there's no disrespect for the crew or the filmmakers or the writers or anything like that. It's nothing to do with them. I always figure that once I've wrapped on a film, my job is done. Anything beyond that is none of my business. So, if I can avoid seeing the final product, I like to, because then all I have in my head is the experience and I feel very good about the experience. Gilbert Grape was a rough time for me just in terms of I don't know where I was, emotionally or psychologically.

UGO: Even the positive reception didn't interest you in seeing it?

JD: I was really touched and pleased that people liked the film and people understood Gilbert and Arnie. I was real happy when Leo got a nomination for the Academy Awards and I was disappointed that Darlene Cates didn't get a nomination, who played our mother. But certainly I was real pleased that people liked the movie, but I just didn't feel like I needed to see it. There's a few of 'em I haven't seen.

UGO: Which of your movies has your daughter seen?

JD: Yeah. What has she seen? She saw Edward Scissorhands. I wasn't there when she saw it, but she saw Edward Scissorhands. And I think she saw Benny and Joon.

UGO: Does she understand what you do?

JD: Not just yet. It hasn't really registered that daddy's an actor. There was a woman at some restaurant who asked what her parents did, and Lilly Rose said, 'Well, my mommy's a singer.' And the lady said, 'Oh, yeah? What does your daddy do?' and she said, 'My daddy's a pirate.'

UGO: And your son's too young?

JD: Yeah, Jack's into a primitive vocabulary at the moment. Rah.

UGO: You'll have to see Pirates with your kids, right?

JD: I haven't seen the movie yet, but I suppose I'm going to have to at the premiere. I don't think there's any escaping Disneyland [the premiere's location]. I think it'd be okay for my kids, won't it?

UGO: Some of it is scary.

JD: I can always cover her eyes or something. It'd be a great excuse to leave.

UGO: Are you up for a sequel?

JD: Yeah, I would love it - the amount of fun that I had on this film was criminal, really. There were moments when the director and I would sort of look at each other and just go, 'Can you actually believe that we get to do this and we're getting paid for this?' Yeah, if there was a sequel - in a perfect world, it's Ted Elliot and Terry Rossio writing it, it's Gore Verbinski directing it, I'd be there in a second.

UGO: Will you keep your teeth in the meantime?

JD: No, I think I'm going to get them off tomorrow.

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